Vhagar dragon rider8/16/2023 ![]() ![]() … But that is not how it plays out on the show. Aemond never has, and so when the opportunity to murder the target of his fury arises, he takes it with callous disregard of the consequences. Although at least Daemon knows what it is to go to war and leave the safety of his castle, and even his dragon, along the Stepstones. The House of the Dragon creators even heighten this fact by having Aemond literally pattern his entire style and hair after Prince Daemon (Matt Smith), a boyish rogue’s copy of a rogue. And the contempt with which his one eye burrows into his “ STRONG nephews” later in that same episode tells us exactly whose blood he wants to wet the blade. He hungers for war, even telling Ser Criston Cole (Fabien Frankel) in his first scene as an adult that he doesn’t give a damn about jousting or tourneys he wants to put real blood on his sword. One generation further removed from even that, Aemond is the final culmination of this callow outgrowth of privilege and a false sense of invulnerability. These knights are as green as summer grass. Leaning into the melodramatic imagery of his eye-patched appearance, the TV show’s Aemond is the ultimate distillation of what Princess Rhaenys (Eve Best) said in the very first episode: “It’s been 70 years since King Maegor’s end. Aemond still thirsted for revenge over the eye that was taken from him, and if his sweet, strong nephew would not acquiesce and remove his own eye on the floor of Storm End’s great hall, then he would have them both fed to his dragon and the waters of Shipbreaker Bay.įor the record, this is entirely in keeping with how young adult Aemond has been sharply drawn by Mitchell in only three episodes. In the book, Aemond Targaryen knew exactly what he was doing when he sought Lord Baratheon’s leave to chase his nephew to the skies with the largest dragon in the world-even as the book is a historical text (so technically no one was up there but the two Targaryens), Aemond never makes excuses or begs pardon for a bit of horseplay. Once again the writers room of House of the Dragon has shifted what was on the page cold, calculated actions by its characters into a tragi-comedy of errors. To quote Martin in the corresponding chapter, “Then the storm broke, and the dragons danced.”įor in the series, it turned out to not be murder at all when Aemond led his dragon to the beheading of Arrax it was bullying game gone awry-a mistake and misunderstanding that forces the realm into war. Poor sweet Luke has gone to see his father, and in the aftermath, any hopes of this simply being a war of words and alliance-building has vanished. Martin’s source material novel, Fire & Blood, it was the moment they both dreaded and greatly anticipated. Luke and Arrax valiantly strafed and soared, zigged and zagged, but in the end it was inevitable that Lucerys would find a new home in Vhagar’s belly.Ĭasual viewers likely had a premonition about this grisly fate from the moment Luke saw the shadow of Vhagar roaring in the distance beneath the dark clouds of Storm’s End. ![]() When the mighty and ancient Vhagar, ridden by Prince Aemond (Ewan Mitchell), flew above young Prince Lucerys Velaryon (Elliot Grihault) and his mount, the baby dragon Arrax, it was like Goliath towering over a puppy. To call it David versus Goliath would be an understatement. This article contains House of the Dragon episode 10 spoilers. ![]()
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